A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.

A grown son and daughter. Mom and Dad quarrel whenever they get a chance. Family camping for the first time is less romantic than I thought.

Australian teenager Heidi is left with little choice but to leave home after she's caught red-handed with her mother's boyfriend. With few options, Heidi ends up in Jindabyne, a tourist community. Upon meeting Joe at a bar, she pursues a relationship with him and tries to find something resembling a normal home life. Heidi makes small strides by getting a job and finding a place to stay, but her relationship with Joe must overcome more than its share of hurdles.

Can women and men stay just as friends? Both Choi Sua and Seo Dou are married, but not to each other. The relationship between the two is interesting. They are definitely not a couple. They are not friends, either. Yet, they are involved in each other's life.

Gi-dal is preparing a new school play. His bossy professor sends him on errands and makes him prepare materials. On Christmas Eve, when he is supposed to meet his girlfriend, his professor, who is running late on a deadline, asks to copy his article.

The unexpected arrival of a Nigerian migrant in the Belgian countryside shakes up the fragile daily life of two men living a secret relationship.

A film about fathers and sons, and the expectations they put on themselves and each other.

While on his way to a Halloween party, a man drives through a town, slowly realizing it's gone insane.

Biopic of Arthur Lucan, who portrayed Old Mother Riley for over twenty years on stage and screen.

The human is the lonely existence. It has nothing to do with an age. There is the other reason. Live, therefore. It is that it became an elderly because it was faithful to the given role and it got old one.